IN THE DISTANCE
THE CITY LIES
OPALESCENT AND WHITE
A KING IN YELLOW
A PUTRID SIGHT
A SUNKEN FACE SO SALLOW
ENDLESS NIGHT
TOWERS MOCKING
THE INNOVATIONS OF MAN
POWERS STOCKING
EVIL AEONS PLAN
SHOULD I SAY THE WORDS?
THE INCANTATION
WHERE EYES STRAY FROM THE HERDS
AND LOWER STATIONS
THE MISTS HANG LOW LIKE THIEVES
DANCERS IN THE BREEZE
LIKE A KITE LEFT IN THE TREES
TRAPPED AND RAPT IN THEIR DISEASE
THESE ARE THE TEMPLES THAT ARISE
FROM THE DREAM CITY
ONLY THE SOMNAMBULIST CAN PERCEIVE ITS WEIGHT
supported by 11 fans who also own “TOWERS THAT MOCK THE GREATEST INNOVATIONS OF HUMANKIND”
Black-metal misanthropy, Memphis-style horrorcore (via Kentucky) and murderous misandry stir a witch's cauldron in this crypt keepin', dick choppin', mixtape-sold-out-of-car-trunk lo-fi oddity. Lars Gotrich
supported by 8 fans who also own “TOWERS THAT MOCK THE GREATEST INNOVATIONS OF HUMANKIND”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten
supported by 8 fans who also own “TOWERS THAT MOCK THE GREATEST INNOVATIONS OF HUMANKIND”
I love the light and shade between Bryan's dirty and Emma's forlorn vocals. There are so many layers to this recording that are driven home through contrast. Plus the riffs are brilliant and get me moving. I can't stop listening to Thou and Emma in general lately. spaceman2250